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Character Analysis, Marc Antony Essay, Research Paper

Marc Antony, of Shakespeare? s Julius Caesar, changes dramatically throughout the drama. He begins the drama a foolish reveller and ends it as a power hungry, vindictive, cold hearted member of the Second Triumvirate. What prompts this dramatic alteration of character in Antony? A figure of things, chiefly the decease of Caesar, and the power he additions in the Second Triumvirate.

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In Act I and II the characters of the drama see Antony as little more than a foolish, gamesome, reveller. Antony is nil more than a friend of Caesar. Brutus dismisses him as a menace to the confederacy stating & # 8220 ; for he is good given / to athleticss, to wildness, and much company & # 8221 ; ( II. I. 188-189 ) . The other plotters are speedy to hold that & # 8220 ; there is no fright in him & # 8221 ; ( II. I. 190. ) . Caesar like the others, does non believe much of Antony, other than as a friend. He shows surprise in one case and says & # 8220 ; See! Antony, that revels long a-nights, / is notwithstanding up & # 8221 ; ( II. two. 116-117. ) . Everyone sees Antony as a immature partier and non deserving much thought. They nevertheless have girls judged Antony as they shortly find out.

In Act III you foremost see the conniving, intriguing Antony you will see for the balance of the drama. Rather than unwisely demo up and yell at Brutus and the other plotters, after Caesar? s decease, he sends a servant in front to see if it is safe, and chooses his words carefully. He is careful to convert at least Brutus that he is a friend. He, the? foolish? reveller, out marbless Brutus and receives permission to talk at Caesar? s funeral. In his monologue at the terminal of the scene he shows that he has already thought in front and has a direct class of actio

n. He is already able to foretell that “domestic rage and ferocious civil strife” will run wild through Italy after his address ( III. I. 263. ) . He is plotting retaliation, and is really emotional in this act. In scene two the craft Antony uses his emotion to his advantage in his funeral address. His ability to turn the crowed to his side is singular. Which makes his statement, “I am no speechmaker, as Brutus is” all the more dry ( III. two. 219. ) . Antony? s usage of sarcasm in his address is clever. The success of Antony? s address and the pure lunacy of the crowed utterly disrepute Antony? s repute as a reveller.

In Act IV and V you see Antony as the powerful leader of the 2nd Triumvirate. As Lord Actin said & # 8220 ; power doth corrupt, but absolute power doth corrupt absolutely. & # 8221 ; Antony has clearly been changed by the power he now possesses. Rather than the emotional distraught adult male, we saw in the old act we see a non-feeling leader. He casually sentences his nephew to decease without barely a idea. He so turns about and says Lepidus & # 8220 ; is a little unmeritable adult male & # 8221 ; ( IV. I. 12. ) . The one time caring Antony now even speaks ailment of his & # 8220 ; friends & # 8221 ; . Antony? s seems to alter once more when his finale end of retaliation is achieved with the decease of Brutus. He so is less dead set on blood and determines that Brutus was in title a good adult male and killed Caesar with the noblest of purposes.

Antony is one of the most invariably altering character of the drama. He changes from a foolish reveller to a craft leader throughout the class of the drama. None of the other characters change to the same extent except for possibly Cassius. The new Antony is certain to collide with the ambitious Octavius before his life is over.