Last updated: June 23, 2019
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Julius Caesar Analysis Essay, Research Paper

Aristotle was possibly the innovator of modern twenty-four hours play, more

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specifically dramatic calamities. He foremost defined what a

calamity is: A play which contained hubris, poignancy and/or

bathos, and the most valued component in a calamity, a tragic

hero. This was normally the chief character who is baronial in his

workss, yet has one defect which causes him to fall. The tragic

plants of Shakespeare were no exclusion. In the play, Julius

Caesar the reader can clearly see many of the rules of a

calamity. That is all except for the tragic hero. Ideas as to

who is the tragic hero scope from Cassius to Julius Caesar

himself. The problem is all characters have stuff to turn out

and confute them. However the hypothesis that Marcus Brutus is

the tragic hero is wrong. One component to a tragic hero is

the hero has merely one tragic defect, and Brutus clearly has more

than one defect in his character. The first defects in Brutus

character is his naivete and the premises he makes about

other characters. Through out the full narrative these two defects

are reflected in many of his determinations and actions. A particular

illustration is his position on the Roman public. Thinking all Romans

are honest and baronial it is non merely wrong, but it

pestilences him until the really terminal of the drama. One case

occurred as the plotters were run intoing. Brutus stated, Lashkar-e-taibas

kill him boldly, but non wrathfully & # 8230 ; & # 8230 ; This shall do our

purpose necessary and non covetous & # 8230 ; . ( Shakespeare, Julius

Caesar, 2.1. 172 & A ; 177-178 ) . He candidly believed that all

involved were traveling to kill Caesar for honest grounds. Not

one time did he oppugn the motivations of everyone, where, in world

Brutus likely was the merely involved for baronial grounds. Brutus

doubtless convinces the reader of his ain naivety when he

provinces, & # 8230 ; allow us bathe our custodies in Caesars blood & # 8230 ; Lashkar-e-taibas

all call ^Peace, freedom, and autonomy! ! ( 3.1. 106 & A ; 110 ) Just

by his enthusiasm, Brutus is non cognizant of any other motivations. He merely

believes that, Peace, freedom, and autonomy are the lone motivations.

Another illustration was during his address at Caesars funeral. & # 8230 ; non

that I loved Caesar less, but that I loved Rome more ( 3.2. 18-20 ) .

Addressing the aristocracy of his actions and his love for Rome, Brutus

guesss that the people understand him because of their equal love

for their state. This premise is apparent because he uses it as

the exclusive ground for killing Caesar. A ground that Brutus believes the

people agree with, otherwise he would non utilize it to apologize such a

offense. Last that same deficiency of penetration is seen in when Brutus

declares, & # 8230 ; I have done no more to Caesar than you shall make to

Brutus ( 3.2. 28-29 ) Paraphrased he says that the people would make the

same to him if he became ambitious, as he d

Idaho to Caesar for going

ambitious. Yet the people barely understand him. One citizen proves

that! when he states, Caesars better parts Shall be crowned in

Brutus ( 3.2 39-40 ) . The citizen wholly misses the point Brutus is

seeking to do, and blurts out a random, nescient remark. Throughout

all the naif determinations and premises Brutus still has another

ruin. A defect that is closely related, but still different.

The 2nd defect seen in Brutus is his 1 sided perceptual experience of

many things. His perceptual experiences of attitudes, values, beliefs, and

more. This can be seen during his funeral address. Concentrating merely

on the political facets of the blackwash, he non one time

Michigans to see that Caesar was more than a representation of

the future Rome, but a individual excessively. I slew my best lover for

the good of Rome ( 3.2. 33-34 ) says Brutus. He dose non one time

grieve for Caesar, or demo compunction for Caesar. He innocently

references merely one side of the state of affairs. This incorrect

perceptual experience is so used against him n Cassius address. Cassius

makes it kick to the audience that Brutus did non see Caesar

as a individual, and hence converting the crowd against Brutus.

A 2nd illustration of Brutus hapless perceptual experience was after the

blackwash. As Rome & # 8217 ; s state of affairs turned into civil war Brutus

still speaks of award and aristocracy. & # 8230 ; Did non great Julius

bleed for justness interest? ( 4.3. 19 ) , & # 8230 ; I am armed so str!

ong in honestness ( 4.3. 67 ) , our hosts are brimming, our cause is mature

( 4.3. 214 ) . On and on he goes focused on what he still deems of import.

Once once more Brutus perceptual experience is wrong and world is much

different. Not many still value candidly, and most know that at those

times, it would non assist you travel in front. Rome begins to fall, and what

hopes of salvaging it make non focus on around the honest and baronial point

of position Brutus clings on to. Yet it is his defect that he is nescient of

such things. One defect, that are many within Brutus.

Brutus has two, possibly three, distinguishable defects in his character,

and many ruins. Brutus foremost is naif, and assumes to much

about the people of Rome. He does listen to them, but what he

hears is either misinterpreted, or it is set aside because it

does non hold with his preconceived impressions of what the

public should be stating. All of this makes it really clear that

Brutus is non the tragic hero. Who so is the hero? As stated

before, there is concrete grounds proving and confuting many

other characters. But so is Julius Caesar genuinely a calamity?

Does non a calamity have a clear tragic hero? Cipher will of all time

know. But whether Julius Caesar is a calamity as most believe,

or a historical history as others believe, it is a beautiful

work of art. Literature at its really best, something that will

ne’er be forgotten.