Last updated: July 16, 2019
Topic: Religion
Sample donated:

Poem # 640: Interpretation Essay, Research Paper

I can non populate with You?

It would be Life?

And Life is over there__

Behind the Shelf

The Sexton keeps the Key to?

Puting up

Our life? His Porcelain?

Like a Cup?

Discarded of the Housewife?

Quaint? or Broke?

A newer Sevres supplications?

Old Ones cleft?

I could non decease? with You?

For One must wait

To close the Other? s Gaze down?

You? could non?

And I? Could I stand by

And see You? stop dead?

Without my Right of Frost?

Death? s privilege?

Nor could I lift? with You?

Because Your Face

Would set out Jesus? ?

That New Grace

Glow field? and foreign

On my homesick Eye?

Except that You than He

Shone closer by?

They? vitamin D justice Us? How?

For You? served Heaven? You know,

Or sought to?

I could non?

Because You saturated Sight?

And I had no more Eyess

For seamy excellence

As Paradise

And were You lost, I would be?

Though My Name

Rang loudest

On the Heavenly celebrity?

And were You? saved?

And I? condemned to be

Where You were non?

That ego? were Hell to Me?

So We must run into apart?

You there? I? here?

With merely the Door ajar

That Oceans are? and Prayer?

And that White Sustenance?


& # 8220 ; I can non populate with You & # 8221 ; , by Emily Dickinson, is an emotional verse form in which she portions her experiences and ideas on decease and love. Some critics believe that she has written about her battle with decease and her desire to hold a relationship with a adult male whose career was ministerial, Reverend Charles Wadsworth. She considers suicide as an option for alleviating the hurting she endures, but decides against it. The storyteller, more than likely Emily herself, realizes that decease will go forth her even further off from the 1 that she loves. There is a possibility that they will ne’er be together once more.

& # 8220 ; Arguing with herself, Dickinson considers three major declarations for the defeats she is seeking to specify and to decide. Each of these declarations is expressed in negative signifier: life wither her lover, deceasing with him, and detecting a universe beyond nature. Building on this series of negations, Dickinson advances a catalogue of grounds for her compact with desperation, which are both concluding and insufficient. Throughout, she excoriates the societal and spiritual governments that impede her brotherhood, but she remains emotionally unconvinced that she has right identified her antagonists. & # 8221 ; ( Pollack, 182 )

Dickinson begins her verse form by stating that she can non populate with her lover because their life together is an object that can merely be opened with a key. The Sexton, or church officer in charge of the care of church belongings, keeps the key. The clergyman? s engagement with God and with a adult female at the same clip is like a porcelain cup that is easy broken. This is an illustration of Personification. Life is personified as this old cup which is valuable until a new

, better one is available.

Centripetal images are used to develop an involvement for the reader and a manner of demoing what the writer felt. An illustration is in the 5th stanza, & # 8220 ; And see You? stop dead? Without my Right of Frost & # 8221 ; . The sense of touch is used when she says that one who is dead is frozen. It tells the reader that the writer knows that decease International Relations and Security Network? t a pleasant experience. The storyteller exclaims that she can non decease with her lover either. It is possible that she doesn? T want to see him endure in the & # 8220 ; frost & # 8221 ; , or possibly she wants him to close her eyes when she has passed and mourn for her. She says that decease? s privilege is non holding to witness person you love decease since you are already in the hereafter.

It is dry that she falls in love with person whose religion is so strong when she herself changes her head often about her beliefs. His piousness contrasts with her incredulity. However, She contradicts her usual incredulity in God by stating that she could non lift with her lover if he will be punished by Jesus for his actions. She tends to believe in the promise of Christian redemption. The storyteller references that this adult male is now her Eden and what she saw antecedently merely seamy excellence. She doesn? T want to give up on the relationship and frights that because he serves heaven that she might be condemned and he saved. She could be saved and he condemned. Either manner it would be snake pit to her if they were apart.

At the decision, she compares their separation to a door. It is somewhat unfastened, adequate that there is a possibility they can get the better of their differences. The two lovers are such antonyms that they & # 8220 ; run into apart? With merely the Door ajar & # 8221 ; . Then, she says that they are separated by the Oceans. Again, there is a possibility that they can be together if they cross the H2O barrier. Their lone hope is through supplication that they will someday run into once more in Heaven.

An terminal rime is used in some stanzas to do the beat flow more swimmingly. An illustration is in the first stanza with the 2nd and 4th lines. Life and Shelf rime because they end in the same sound. Up and Cup rime in the 2nd stanza, Broke and Crack in the 3rd, Face and Grace in the 6th, Eye and by in the 7th, Eyes and Paradise in the 9th, Name and celebrity in the ten percent, be and Me in the eleventh, apart and ajar in the last, and here, Prayer, and Despair in the last.

Dickinson repeats the phrase or thought of & # 8220 ; I can non? with You & # 8221 ; or & # 8220 ; I could non? with You & # 8221 ; . Each clip she uses the statement, it is the beginning of a major declaration. One case of initial rhyme used is in the 9th stanza with the words & # 8220 ; saturated Sight & # 8221 ; and a changeless & # 8220 ; s & # 8221 ; sound. Assonance is besides evident in the 8th stanza with & # 8220 ; How & # 8221 ; and & # 8220 ; know & # 8221 ; because it is a partial rime made by vowel sounds.

Each stanza contains four lines except for the last one which has six. This is because it is the decision of her ideas where she states that she will populate in desperation and depression. The stanza signifier did non assist to develop the significance. To right read and grok the verse form, one must read it directly through without intermissions, disregarding the legion elans.

In decision, the temper of the verse form is one of hopelessness, despair, and disheartenment. Emily Dickinson is in a province of depression, and is likely at the beginning of her mental breakdown phase. It took her many old ages to get the better of the emptiness she felt without her lover.