Last updated: August 16, 2019
Topic: ArtMovies
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Power Of Ocular Imagery Essay, Research Paper

The Power of Visual Imagery

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The movie Dead Man Walking successfully uses a assortment of effectual imagination techniques to pull powerful emotions from its viewing audiences. Much of the movies success is due to the manager Tim Robbins every bit good as the dramatis personae. Before seeing the movie Dead Man Walking, I ne’er looked at the existent people involved in the procedure of capital penalty. I looked at the issue itself and non the people who are portion of capital penalty. Robbins successfully personifies the issue of capital penalty and helps to give a balanced position of the issue. This balance is achieved in a assortment of ocular imagination techniques including framing, point of position, flashbacks and peculiarly emotional or effectual scenes.

The first imagination technique that I would wish to discourse is bordering. There are many scenes throughout the movie that utilize close ups. For case, there is a close up of Helen keeping the bars with her face pressed against them. As the clip for Poncelet & # 8217 ; s executing nears, the camera zooms in on the clock. This is a really dramatic manner to mean that the terminal for Poncelet is nigh. Most people don & # 8217 ; t really recognize that the clip before a decease row inmate is to be executed can be really hard on the inmate.

Point of position besides plays a portion in the effectivity of the movie. It is particularly effectual in making balance in this movie. Poncelet is ever seen by Helen through bars or some type of barrier. Helen is seen by Poncelet in the same manner. I believe that this was an knowing move by Robbins. It is about as if it is demoing viewing audiences the line between good and evil. Near the terminal of the movie, right before Poncelet is to be executed, he says his last words in a rood like place. However, the following scene is Hope and Walter & # 8217 ; s organic structures being found in a rood like place. Each of the scenes equilibrate the others out.

Out of all of the ocular imagination techniques used, the 1 that pulled on my bosom strings the most was flashbacks. Not merely do they demo flashbacks of Poncelet and the slayings, they show flashbacks of Helen when she was younger. There are scenes of Helen going a nun. But it is my belief that the flashback of Helen crushing an animate being was used to make balance when comparing her to Poncelet. It may hold been used to demo that even truly good people can do errors and achieve salvation. The flashbacks of the slaying appear to be really good thought out and planned by Robbins. In the beginning, the flashbacks of the slaying are really abruptly. As the film progresses, the flashbacks get longer and longer. These flashbacks are seen in black and white. At the terminal of the film, as Poncelet is being put to decease, the flashbacks get even longer and they are shown in colour. This was an effectual move on Robbins portion because it helps to make strong emotions from the viewing audiences. These flashbacks are a really effectual tool to make the personifi

cation of the issue. The issues of Helen compared to Poncelet achieved a sense of balance between the characters.

There were a great trade of particularly effectual scenes throughout the movie Dead Man Walking which helped to body the issue of capital penalty. These scenes were really intense. Many of them were covering with the parents of the victims. In the parents places, they frequently told narratives of the childrens past, their last words to their kids, and exposure of their kids. For case, Hope & # 8217 ; s ma tells the narrative of her last words to Hope. She talks about how the last words that she said to her girl were approximately something every bit simple as the hem of a frock. This creates a sense of these people as being normal, or merely like one of us. As Poncelet nears his executing, he asks Helen to sing to him. This is a really emotional minute in which both of the characters are in cryings. The very terminal of the movie was improbably emotional. From the guard stating & # 8220 ; Dead Man Walking, & # 8221 ; until Poncelet is dead, is extremely intense. As Poncelet is being injected, he reaches his manus out to Helen and she in bend reaches her manus out to him. All of these scenes are extremely emotional and extremely effectual in personalising the issue of capital penalty.

The were several scenes in which I found a great trade of balance in the movie. At one point in the movie, Poncelet gives an interview in which he makes a assortment of racialist and biased remarks. Subsequently in the movie, Poncelet is on the phone and shouting to his female parent. The strongest point that achieves balance in this movie is the portraitures of the households involved. I felt that these households were the ultimate in the personification of the decease punishment. Dead Man Walking gives us an intimate portraiture of how each household has to cover with the slaying that has taken topographic point. Before watching this movie, it ne’er occurred to me that the household of the inmate would be effected that strongly. I believe that Robbins was seeking to demo that the horrors of slaying are no different than the horrors of executing because now another household will hold to endure.

Before watching the movie Dead Man Walking, it ne’er occurred to me to see the decease punishment for anything more than a individual being punished for a offense. It was this movies unbelievable usage of framing, point of position, flashbacks and the usage of particularly effectual scenes that allowed me to open my head and see that there is a big group of people who are affected by the decease of a individual on decease row. I believe that Robbins created a sense of balance in the issue, and was careful non to take sides. I believe that his purpose was to do people recognize that there are a batch of people involved, on both sides of the issue. He has caused me to change by reversal my anterior beliefs and see that the decease of person is incorrect, no affair who does it. This movie proves that the usage of ocular imagination can be a really effectual tool to assist viewing audiences emotionally relate to a peculiar issue.