Star Trek Essay, Research PaperIntroduction:Television plans provide one of the most popular signifiers of amusement today. From The Simpsons to The X-Files, telecasting shows amuse, daze, sadden, and excite us by bends. Television does more, nevertheless, than merely entertain. Television shows are cultural merchandises, and as such, they reflect, reinforce, and dispute cultural thoughts. It acts as a mirror and a theoretical account for society.
In analyzing and understanding those cultural messages and popular entreaty of certain telecasting shows, we should understand something about the society that has created and sustained them.Arguably, Star Trek is one of the most popular telecasting shows of all time produced. Today Star Trek includes four telecasting series and nine gesture images. Like some of the other telecasting shows, Star Trek has been capable to the vagaries of manufacturers and authors so it is hard to generalise about the purpose of the writers of Star Trek or the point of view of the readers. Yet, it is besides clear that Star Trek has at assorted times been brooding, enlightening, and critical about the civilization -American culture- that produced it. Star Trek has addressed a broad assortment of issues, including war, capitalist economy, individuality, engineering, race, gender, bias, faith, etc.
The list can be extended to many other issues but here I will concentrate on race, gender, bias and faith merely. As portrayed on telecasting such issues are representations of socio-cultural positions on wide human concerns. For taking a closer expression to those issues, in the go oning parts I will give some illustrations from a figure of Star Trek episodes that had written in different times.
Religion:The portraiture and intervention of faith in the Star Trek telecasting series and movies provides an of import cultural commentary on the topographic point of faith in society. Although no individual coherent attack to faith appears in Star Trek, the series is however diversely brooding of, informed by, and critical of social attitudes toward faith. The portraiture and intervention of faith in much of the Star Trek franchise is negative: faith is frequently presented as superstitious, outdated, and irrational. An implicit in and consistent subject of the Star Trek series is the presentation of rational scientific humanitarianism as an option to spiritual religion. A newer subject, notably found in episodes from the Deep Space Nine and the Voyager series, explores the potentially positive value of faith. Since the viability and popularity of Star Trek have spanned such a long period of clip, it is inevitable that the series would get down to diverge from original premises in response to altering cultural attitudes. The recent potentially positive portraiture of faith within Star Trek both reflects and reinforces a peculiar cultural alteration.Gene Roddenberry was Star Trek? s Godhead and executive manufacturer.
While he was alive and continued to hold a direct manus in the production of the show, faith as a subject was seldom treated. When it was -I believe- the portraiture of faith reflected Roddenberry? s ain misgiving of an antipathy toward organized faith. In Star Trek, organized faith tends to be portrayed as the merchandise of a pre-rational age, antithetical to science and ground, and God is depicted as a class error -an advanced foreign form- from mistaken for a God. However after his decease, and peculiarly apparent in Star Trek: Deep Space Nine and Star Trek: Voyager, faith as a subject far more frequently tends to be treated in a more sophisticated and sympathetic manner2.The scene of Deep Space Nine is a Federation infinite station situated following to the planet Bajor. The people of Bajor are united by their common spiritual religion guided by a spiritual oligarchy. Invisible religious ushers called? the Prophets? directed them. The two hr premiere episode of Deep Space Nine: Emissary featured than -Commander Sisko? s brush with the Nebiims, one that led both to his emotional healing and to his designation as a Bajoran? s long-awaited religious Emissary.
This introductory episode so explicitly affecting a religious motive set a compelling tone for the geographic expedition of spiritual subjects in this series. On Deep Space Nine spiritual religion is treated as more than merely the merchandise of superstitious notion and the suspension of reason depicted in the earlier series. On the other manus, certain episodes, like Shakaar, trade with the Bajoran oligarchy convey the thought that this spiritual leading is besides non immune to aspiration and corruptness.In amount, while dismissed in the first series,faith has made a rejoinder in the ulterior series, full of unreciprocated inquiries, guesss, and intimations of? something more out at that place? .
With those series Star Trek has come to admiting the basically religious nature of human existences, or of the human sprit, which inclines us toward transcendency.MULTICULTURALISM, PREJUDICE AND SOCIO-CULTURAL ISSUES:From its earliest yearss, Star Trek has been informed by a multiculturalist vision. In Roddenberry? s original lineation of the series the 20 3rd century insisted that racial favoritism would be seen as a too bad relic of the yesteryear.
The presence of Uhura, Sulu and Chekov on the span, every bit good as a figure of black histrions who appeared as senior anti-racist point of view -even if all these characters played comparatively minor roles- . The presence of foreign characters in the series was important in showing that the Federation was besides a multiculturalist organisation. With racial bias extinct on its? future-Earth? , Star Trek has ever used the struggle between the assorted foreign races to show narratives that reflect on modern-day racial struggles.The subject of racial bias is one of that a figure of Star Trek episodes explore. In the Undiscovered Country the anti-Klingon bias displayed by Kirk and other members of his crew was a spot untrue to the? existent? spirit of Star Trek in which racism merely exists between foreign races.
Yet even in the original series anti-alien bias does non look to be wholly unknown in Starfleet. In Balance of Terror Lieutenant Stiles, who has fought the Romulans in the conflict, displays a unquestionably racist attitude towards Mr. Spock because of the close physical resemblance between the Vulcan and Romulan races.
But Spock? s heroic actions eventually persuade Stiles to swear him. Any intimation of a deficiency of flawlessness among Starfleet officers is therefore rapidly quashed.Merely as many illustrations like the 1s above can be read by the audiences as play that reflect on modern-day inter-racial state of affairss, many other episodes have been seen as remarks on the moralss of sexual political relations. In Elaan of Troyius the Enterprise is engaged in presenting Elaan to Troyius, which has been at war with Elas for centuries. Her ordered matrimony to the Troyian leader is expected to convey peace between two planets.The Perfect Mate is an episode, which appears to rewrite the narrative of Elaan of Troyius. Earlier, when Picard told Beverly Crusher that Kalama? s engagement in the ordered matrimony was voluntary, Crusher had protested that Kamala had been brainwashed all her life into taking of her chief map as being an object of desire for work forces.
The episode therefore works as a sort of feminist narrative, with Kamala stand foring the manner in which modern advertisement and media civilization prepares adult females by showing them with basically unreal images of physical flawlessness in the signifier of supermodels. At the same clip its tragic result explicitly attacks the traditional pattern of arranged matrimony itself.The Following Coevals: The Outcast was -I think- the first Star Trek episode to touch upon the subjects of sexual ambiguity. Riker begins a working relationship with Soren, a member of the genderless J? naii race who has enlisted the Enterprise? s aid in a hunt for losing shuttlecraft. They have many treatments in which they compare their different civilizations, and a strong bond Begins to develop between them. Finally Soren reveals that she is one of a minority of her race who tend towards a peculiar sex, but that in her society this must be kept a secret. If her feelings are exposed, she will be subjected to reprogramming.
In the illustration above Riker and Picard were moving from broad humanist rules but in both state of affairss these rules did non turn out adequate. Star Trek therefore confronts one of the chief quandary of multiculturalism -that is necessary to understand and esteem the patterns of other civilizations even if their values contradicts one? s ain.Concluding Words:As I mentioned before in the debut portion the Star Trek episodes were written by a big figure of different writers. So it was difficult to concentrated on a fixed intend of them. One thing in similar all of them is that they mirrored and modeled the society.
They reinforced, challenged and reflected cultural thoughts. I tried to give some peculiar illustrations from those cultural thoughts. I besides tried to mirror the cultural conditions in which those episodes are written. I particularly tried to take the episodes from different clip periods to reflect the specific alterations in the society.319