Last updated: June 21, 2019
Topic: Religion
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The Divine Comedy Essay Essay, Research Paper

The Divine Comedy Essay

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Dante Alighieri? s, The Divine Comedy, Inferno, was written during a really unsure clip of his life. He is in-between aged and exiled from his darling metropolis of Florence. Dante is economically and politically ruined ( Cervigni and Vasta 6 ) . He reflects on the past and is repulsed by its significance. The ingestion of his guilt, depression, and choler was the drift for composing this book. In the first paragraph in Canto I, ? Midway in the journey of out life I found myself in a dark wood, for the consecutive manner was lost. Ah, how difficult it is to state what that wood was, wild, rugged, harsh ; the really idea of it renews the fright! It is so acrimonious that decease is barely more so. But, to handle of the good that I found in it, I will state of the other things I saw there. ? ( Alighieri 3 ) provides a sense where his head was at the clip. Dante is at a hamlets in his life and can non happen the route in front. The dark wood refers to the uncertainness he was confronting at the clip. The chance of decease, for Dante, is an flight out of his torture.

Dante made Hell with circles to show the different degrees of guilt, depression, and choler. Throughout the circles, you find great poets, authors, scriptural characters, and others, some of whom, in my sentiment, do non belong at that place. I think he puts them there to alleviate some of his guilt for the wickednesss he has committed. I feel he uses logic to carry the reader that if some of these great people are in Hell, so he is non that bad himself.

Dante? s guilt in reflected in Canto V, where he makes mention to his out lubricious love for Beatrice. He uses Francesca and Paolo? s love to compare it his ain love for Beatrice. Dante feels compassion and sorrow for these two lovers when he states, ? Francesca, your tortures make me cry for heartache and commiseration ; ? ( Alighieri 55 ) about if to carry the reader to experience commiseration for him. Dante besides makes mention that he possibly could non assist himself, of the feelings he had for Beatrice, because? I learned that to such torture are condemned to animal evildoers, who subject ground to desire. ? ( Alighieri 49 ) Dante gives into his desires, at least in his imaginativeness, and forgets to utilize ground. If Dante had used ground, he would hold thought more of his married woman than Beatrice would. He would hold written his verse forms and cantos about his married woman alternatively to Beatrice. Dante? s contemplation of his love and ideas for Beatrice caused him to experience guilt. I think his guilt was based on the Bible? s commandment that states? Thou shalt non perpetrate criminal conversation? . Dante believed that merely thought of his lecherousness of Beatrice was merely as iniquitous doing love to Beatrice.

In the first paragraph of Canto I, where he finds himself? in a dark wood, for the consecutive manner was lost? ( Alighieri 3 ) leads me to believe he was depressed and contemplating self-destruction. In my position, this implies that he feels lost and entirely and can non see a manner out because of the darkness. A manner out of his depression because of all that has happened to him. His mention to the? consecutive manner was lost? implies to me that the consecutive manner is a mention to the Bible that you should non perpetrate self-destruction. The consecutive manner being lost intimations to me that he was losing his religion and that self-destruction was on option. Canto XXIII is in circle seven, where he puts people who have committed force against themselves. Dante draws an analogy with the stub, which was in life, Pier Delle Vigne, main counsellor of Frederick II of Sicily. Pier was accused unjustly of perfidy and was imprisoned, whereupon he killed himself. D

ante was accused of corruptness of office, struggle of involvement and embezzlement doing him to travel into expatriate. Dante once more tries to carry the reader to feel for him or at least understand that he was unjustly accused. ? ( Cervigni and Vasta 6 ) . An illustration of his persuasion is when he writes, ? And the stub said, ? You so tempt me with your sweet words that I can non maintain silent ; and may it non burthen you that I am enticed to speak a little. ? ? ( Alighieri 133 ) . He is seeking to acquire the reader to concentrate on the analogy between himself and the stub. The stub explains how he was unjustly accused, which parallels what happened to Dante. Dante asked Virgil to oppugn the stub more, because Dante is so disquieted and can non make it himself. Dante says, ? Do you inquire him farther of what you think may fulfill me, for I can non, such commiseration fills my heart. ? ( Alighieri 135 ) . As mentioned in category by Ms. Zaldivar, Dante was a secretary, among other endowments, skilled at persuasive authorship. I believe, here once more, he was efficaciously utilizing his persuasive accomplishments to motivate the reader for their understanding.

Dante? s choler is viewed in Canto Twenty-six when he addresses the metropolis of Florence with fury and irony. In the gap of Canto XXVI, he states, ? Rejoice, O Florence, since you are so great that over sea and land you beat your wings, and your name is spread through Hell! Among the stealers I found five of you citizens, such shame comes to me? and you rise thereby to no great honor. ? ( Alighieri 271 ) . I believe he feels this fury because of what was go oning in Florence at the clip. The Blacks had seized power and had exiled Dante and the other White leaders. I am certainly he felt that he and his other White opposite numbers were making what was best for the metropolis of Florence before thrown into expatriate. His irony is viewed in the gap words of this canto, where he begins with? Rejoice, O Florence? whereby he refers to the repute of Florence holding reached Hell. He uses sarcasm to show his choler. His choler is great and he lets the reader know that Florence will be back like it one time was when he says, ? But if near forenoon our dreams are true, you shall experience ere long what Prato, every bit good as others, craves for you. And if it were already come, it would non be excessively soon. ? ( Alighieri 271 ) . Dante expresses to the reader that merely about everyone hungrinesss for the old Firenze and that if it happened yesterday, it would non be fast plenty.

Dante? s guilt, choler, and depression were feelings he examined at the chance of confronting his ain mortality. Fortunately, he could show himself through his Hagiographas and did non perpetrate self-destruction. It was curative for him to show his emotions through his Hagiographas, like a personal diary. Ideas one time written reflect a individual? s true feelings. Understanding your interior self gives you a focal point on the of import things in life. I believe Dante began to see that at the terminal of the book, where he and Virgil? entered on that concealed route to return into the bright universe ; ? ( Alighieri 369 ) . Although it was still dark when they came out of Hell, his guilt, depression, and choler had been lifted and he could see hope, where he states at the terminal of the book, ? we climbed up, he foremost and I second, so far that through a unit of ammunition gap I saw some of the beautiful things that Heaven bears ; and thence we issued forth to see once more the stars. ? ( Alighieri 369 ) .

Alighieri, Dante. The Divine Comedy, Inferno. Trans. Charles S. Singleton.

Princeton University Press 1989.

Alighieri, Dante. Vita Nuova. Trans. Dino S. Cervigni and Edward Vasta.

The University of Notre Dame Press