Twelfth Night Essay, Research PaperIn English literature, the sap could come in inventive literature in two chief ways. He could supply a subject for mediation, or he could turn into a stock character on the phase a conventionalized amusing figure.

In Twelfth Night, Feste the buffoon is non the lone sap who is capable to foolery he and many other characters combine their cockamamie Acts of the Apostless and marbless to occupy other characters that that either flight world or populate a dream. It is non uneven that the sap should be a outstanding figure and do an of import part in organizing the confusion and the wit in an Elizabethan drama.Feste & # 8217 ; s function in this Illyrian comedy is important because Illyria is a state permeated with the spirit of the Feast of Fools, where individualities are confused, rude regulation is applauded, and no injury is done. In Illyria, the sap is non so much a critic of his environment as he is a ringleader.

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Feste plays the function of a low buffoon employed by Olivia & # 8217 ; s father, every bit good as the accredited sap of their family. This is apparent in Olivia & # 8217 ; s statement that Feste is & # 8220 ; an allowed sap, & # 8221 ; ( Act 1, Scene 5, Line 93 ) significance he is a accredited, privileged critic to talk the truth of the people around him. It is besides apparent in Curio s statement to Orsino that Olivia s father employs Feste. & # 8220 ; Feste the fool & # 8230 ; a sap that the Lady Olivia & # 8217 ; s beget took much pleasance in & # 8221 ; ( Act 2, Scene 4, Line 11 ) .Feste is more of the amusing truth of the comedy.

Although he does non do any profound comments, he seems to be the wisest individual within all the characters in the comedy. Viola comments this by stating & # 8220 ; This chap & # 8217 ; s wise sufficiency to play the sap & # 8221 ; ( Act 3, Scene 1, Line 61 ) . Since Feste is a accredited sap, his chief function in the drama is to talk the truth. This is where the wit lays ; in his truthfulness.

In one illustration, he proves Olivia to be a true sap by inquiring her what the topic of her bereavement was. Feste s point was to inquire why Olivia was mourning for a individual whose psyche is in Eden.Adding to the wit of the comedy, Feste dresses up as Sir Topaz, the minister of religion, and visits the captive Malvolio with Maria and Sir Toby. There he uses his wit to mistreat Malvolio who is still incognizant that he is really speaking to the buffoon than to the existent Sir Topas. Feste ( disguised as Sir Topaz ) calls Malvolio a & # 8220 ; moonstruck & # 8221 ; ( Act 4, Scene 2, Line 23 ) , & # 8220 ; Satan & # 8221 ; ( Act 4, Scene 2, Line 32 ) and confuses him by knowingly doing him a sap. Throughout the drama, Malvolio has ever been the individual who deliberately spoils the pleasance of other people ; he is the proverbial spoilsport. He is Feste & # 8217 ; s worst incubus in the drama ; nevertheless, Feste additions triumph over him and is the lone character to demo a negative attitude and a self-respect reversed. Malvolio proclaims, I’ll be revenged on the whole battalion of you! ” ( Act 5, Scene 1, Line 378 ) .

At the terminal of the comedy, Feste is given the last word and is left in ownership of the phase.Maria, Olivia & # 8217 ; s comrade is another individual who seems enthusiastic in playing buffooneries on other people. In the drama, she plays the unsuspicious function of a behind the scene sap that gives thoughts to Feste, Sir Andrew Aguecheek, and Sir Toby Belch to help her in her programs. In two incidents, she remains behind the drapes while either Feste or Sir Toby Belch and Sir Andrew Aguecheek carry out her programs.

Part of the wit that lies in this comedy is that Maria & # 8217 ; s buffooneries are rough and cruel, utilizing love and power ( the position of Olivia ) to assail Malvolio, steward of Olivia, who is & # 8220 ; & # 8230 ; sick of ego love & # 8221 ; ( Act 1, Scene 5, Line 90 ) . For this, Malvolio s greed for power leads him to be locked up in a dark cell and is accused of being huffy. Maria besides prepares Feste to mask as Sir Topaz.

This is seen in the quotation mark: & # 8220 ; Nay, I prithee put on this gown and this face fungus ; do him believe 1000 are Sir Topas the minister of religion ; make it rapidly. I & # 8217 ; ll name Sir Toby the whilst. & # 8221 ; ( Act 4, Scene 2, Lines 1-3 ) . Combined with other saps, Maria helps do this a uproariously amusing comedy.

Last, Sir Toby Belch is another sap in the drama. His function is assisting & # 8220 ; on the game of pretense. He ever convinces and encourages the rich Sir Andrew Aguecheek that he has a opportunity of winning Lady Olivia & # 8217 ; s love. He is similar to Feste, except he plays the function of a knight and is Olivia & # 8217 ; s kinsman.

His function is similar to a sap because he depicts the many buffooneries of a sap. For illustration, in Act 2, Scene 3, while he was drunk, he sings along with Feste when Malvolio barges in to close them up, and this is arch behaviour. Whenever there is a buffoonery, Maria invites Sir Toby Belch to take part. One such buffoonery was to help Maria & # 8217 ; s forge missive to do Malvolio believe Olivia is in love with him. Sir Toby Belch s pretend strategy works convincingly on Malvolio. Another buffoonery was to attach to the cloaked Feste ( Sir Topaz ) into the dark cell where Malvolio was imprisoned.

This concomitant was to guarantee Malvolio that the existent Sir Topaz is sing him, yet it is another pretend strategy of Sir Toby Belch.In this drama, the saps are the 1s that control the comedy and wit in the drama. They assist in the pretend game and sap around with characters that attempt to hedge world, and they realize their phantasies. In this drama, Feste, Maria and Sir Toby Belch are the saps that make the comedy work in many senses. They create the confusion through wit, and it all comes together to do this a amusing Elizabethan drama.322