Twelfth Night Essay, Research PaperIn William Shakespeare s Twelfth Night, Or What You Will many relationships are forged or sabotaged for and by the supporters, and as a consequence these relationships are made amusing. The usage of camouflage causes misrepresentation and misconstruing which leads to love where it is non meant to be. Foolery leads the characters into ineluctable traps, which causes pandemonium with their emotions, and eventually pure physical attractive force and non true love take some characters into falsely believing that they were in love. Therefore relationships were twisted and contorted so frequently that comedy was bound to ensue. Throughout Twelfth Night misrepresentation caused confusion between many characters, but the one character who remain in the centre of this confusion was Viola. The misrepresentation was caused because of her outward visual aspect.

She was disguised as a adult male in order to acquire closer to Orsino. The confusion begins when Viola is sent to court Orsino s love Olivia. She in bend falls in love with Viola s opposite number Cesario. Olivia s love is revealed when she sends her servant Malvolio to return a ring which Viola ne’er gave to her. She says, & # 8220 ; Run after that same cranky courier, The County s adult male. He left this ring behind him I do I cognize non what, and fright to happen Mine oculus to great a adulator for my head. Fate show thy force.

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& # 8221 ; ( actI, sc.v,310-315 ) This shows her love for Cesario and how she in secret lets her know. When Viola realizes what has happened she instantly realizes the love trigon which has occurred.

This is evident when she says & # 8220 ; Fortune prohibit my exterior have non charmed her! What thriftless sighs hapless Olivia breathe! O clip, 1000 must extricate this, non I. It is to hard a non for me t untie. & # 8221 ; ( act II, sc.iii, 20-40 ) Another case when viola s camouflage is believed and hence causes a confusion is when she is misguided for her brother Sebastian.

Antonio who is looking after Sebastian, and when Viola got into a battle with Andrew and Toby, Antonio came to the deliverance. He is arrested and begs Viola to explicate to the officers that he has been protecting him all along. When Viola claims that she has never seen him. He says “Will you deny me now? Do not tempt my misery, Lest that it make me so unsound a man As to upbraid you with those kindnesses That I have done for you.

” (actIII, sc.iv, ln.365) Viola s disguise is so believable that a man who has spent an extended period of time with her brother mistakes her for him. Immense confusion and severe consequences result from this deception.

Therefore the use of disguise is a main factor in the creation of comedy. The time period in which Twelfth Night was set, foolery was commonly used for multiple tasks. Some used foolery for pleasure and entertainment, while others used it as a tool to get what they wanted. The use of foolery occurred throughout the play, many times manipulating another person. When Maria becomes angered at Malvolio she decides to use foolery as a tactic to get even. She writes a false letter from her lady Olivia confessing her love to Malvolio.

The letter suggests preposterous things for him to do to win her love. Her foolery is so believable that he believes every word of it, as seen in this quote “I do not now fool myself, to let imagination jade me; for every reason excites to this, that my lady loves me Jove, I thank thee! I will smile. I will do everything that thou wilt have me.” (actII,sc.iv,168-180) As a result of this letter Malvolio is tricked into doing silly and wild things which causes Olivia to think that he is mad.

Therefore foolery proved to be successful, in the sense that she got her revenge. Malvolio is involved in another case of foolery, but this time it is with the fool. After Malvolio is imprisoned for his insane acts, he begs to see the light of day.

Toby belch and the Fool scheme a plan for Malvolio. In this methodical plan the Fool is to dress up as a priest and talk to Malvolio. Throughout their entire conversation Malvolio tries to convince the Fool that he is not mad, but his cries of innocence are continually shot down. (actIV,sc.ii,15-50) This shows how foolery can change relationships and hurt one s emotions.