Last updated: September 13, 2019
Topic: FashionBeauty
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Both Mary Oliver and Lucille Clifton are feminist adult females who fight for gender equality. By reading their verse forms the battle for adult females to be considered peers to work forces is apparent. Both poems “Singapore” and “wishes for sons” were written in 1990-1991. During this clip period adult females were contending for equal rights in the universe. They wanted work forces to see them as their equal instead than lesser. In “Singapore” Oliver reveals how hard a woman’s occupation can be. In “wishes for sons” Clifton shows her strong desire for work forces to see the embarrassments and troubles that adult females face every twenty-four hours.

In the verse form “Singapore” Oliver writes about a adult female who walks into a public public toilet and finds a lady knelt over a lavatory cleaning it. “A adult female knelt at that place. rinsing something in the white bowl” ( Oliver. 1990. line 5 ) . The lady is at first disgusted with what she sees. but so as the lady turns to confront her she sees the beauty in her. She realizes that even though this lady has a really disgustful occupation she is still a human and deserves to be happy. Oliver is demoing that despite life’s troubles adult females can happen the strength to be happy and live a great life.

She wants the reader to cognize that adult females can hold the most disgustful occupations and still be beautiful on the interior and outside “the visible radiation that can reflect out of a life” ( Oliver. 1990. line 35 ) . In the verse form “wishes for sons” Clifton writes about her strong desire for work forces to see the troubles and embarrassments that adult females face. Clifton expresses her choler about the manner adult females are viewed as the lesser of the two genders. She wants work forces to see what adult females have to confront on a regular basis. “I wish them cramps…I wish them a unusual town…and the last tampon” ( Clifton. 1991. lines 1-3 ) .

She wants work forces to see these troubles in an awkward mode. Clifton is composing about all the physical things that adult females have to face. She urgently wants work forces to see how hard it is to be a adult female. While it is impossible for a adult male to really hold to travel through these things Clifton wants them to recognize what adult females face and to handle them as peers. Mary Oliver’s verse form “Singapore” alluded a batch to nature. “Rivers are pleasant. and of class trees…A waterfall. or if that’s non possible. a fountain rise and falling” ( Oliver. 1990. line 10 ) .

The symbols of nature go manus in manus with women’s nature and beauty. Lucille Clifton’s verse form “wishes for sons” was a more straightforward attack. She wrote about a woman’s catamenial rhythm and how unpleasant it is. Both of these verse forms hit on the subject of gender equality. In both poems the writers write about a woman’s function in a man’s universe. the nature of adult females. gender equality. and the relationships between a adult male and a adult female. Both of these verse forms reveal the battle that adult females faced when seeking to win the conflict of equality with work forces. They fought so difficult to demo work forces that they were equal.

During this clip period adult females had rights but non the same rights as work forces. Womans were expected to remain at place and take attention of the house. Since they were the 1s cleaning at place the type of occupations they could acquire involved cleansing. Womans were non happy with the manner they were treated in this clip period. Men were the 1s who went out and worked in the concern universe. . These two verse forms showed the type of adversities that adult females face. From the type of occupations adult females were given to the physical things they had to cover with. All adult females wanted were to be treated as peers of work forces.